Articles
CONTENT | Issue 3
- 1. Word of Editor-in-chief
ISLAMIC ARTS MAGAZINE 03 - 2. View more
ABOUT THE ORIGIN OF SHAPE IN ISLAMIC ARHITECTURE - 3. City with rich Islamic tradition
POCITELJ - 4. Interview: Malik Anas al-Rajab
FROM CLASSICAL TO CONTEMPORARY CALLIGRAPHY - 5. Book review
THE AGE OF SINAN - 6. Book review
ART OF ISLAMIC CALLIGRAPHY - 7. Interview: Orhan Dagli
THE COLOURS OF TEZHIB - 8. C. L. David Foundation and Collection
SCANDINAVIA’S LARGEST COLLECTION OF ISLAMIC ART - 9. Interview: Haris Memija
HAJJ AS ETERNAL INSPIRATION - 10. City with a rich Islamic tradition
Cordoba and Granada - 11. Interview: eL-Seed
“CALLIGRAFFITI” ON THE FACE OF THE STREET - 12. Classic form of Islamic art
THE ART OF TUGRA - 13. Interview: Khawar Bilal
GRAPHIC DESIGN IN THE CONTEXT OF ISLAMIC ART - 14. Step-by-step tutorial
HOW TO MAKE A DIGITAL ARABESQUE
Book review
ART OF ISLAMIC CALLIGRAPHY
The book „Art of Islamic calligraphy” represents a unique scientific and publishing project in Bosnia and Herzegovina.
In the last hundred years, only a few books with Islamic arts theme were published in Bosnia.The reason for this is minimazing of such kind of creative expression by cultural politics, first by the Kingdom of Yugoslavia up to 1940, and then by the “communist” Yugoslavia in the second half of 20th century. It has been forgotten, that Islamic arts was the cultural constancy of Bosnian people for more then 450 years. In Bosnian recent history the idea of retaining Islamic arts was reduced to only a few names, artists and historians.
For all the above captioned, the book „Art of Islamic calligraphy” was welcomed with great attention in Bosnia and Herzegovina.
The book contains all that is important and what we need to know about Islamic calligraphy. From the beginning, the author takes us through history of Arabic letter and explains the earliest styles of calligraphy, and he gives special place to the reformers of this art up to the appearance of Ottomans, Ibn Mugle, Ibn al-Bawab and Jakut Musta’sim. Professor Hadzimejlic very consistently describes the Ottoman calligraphy devoting to it most of the space in the book.
The rest of the article you can read in the magazine.





