Articles
CONTENT | Issue 3
- 1. Word of Editor-in-chief
ISLAMIC ARTS MAGAZINE 03 - 2. View more
ABOUT THE ORIGIN OF SHAPE IN ISLAMIC ARHITECTURE - 3. City with rich Islamic tradition
POCITELJ - 4. Interview: Malik Anas al-Rajab
FROM CLASSICAL TO CONTEMPORARY CALLIGRAPHY - 5. Book review
THE AGE OF SINAN - 6. Book review
ART OF ISLAMIC CALLIGRAPHY - 7. Interview: Orhan Dagli
THE COLOURS OF TEZHIB - 8. C. L. David Foundation and Collection
SCANDINAVIA’S LARGEST COLLECTION OF ISLAMIC ART - 9. Interview: Haris Memija
HAJJ AS ETERNAL INSPIRATION - 10. City with a rich Islamic tradition
Cordoba and Granada - 11. Interview: eL-Seed
“CALLIGRAFFITI” ON THE FACE OF THE STREET - 12. Classic form of Islamic art
THE ART OF TUGRA - 13. Interview: Khawar Bilal
GRAPHIC DESIGN IN THE CONTEXT OF ISLAMIC ART - 14. Step-by-step tutorial
HOW TO MAKE A DIGITAL ARABESQUE
C. L. David Foundation and Collection
SCANDINAVIA’S LARGEST COLLECTION OF ISLAMIC ART
The Collection of Islamic Art has grown considerably over the past 50 years. From its start as a small but fine selection of medieval ceramics, it has become Scandinavia’s largest collection of Islamic art in all its aspects; today it is among the ten most important in the Western world.
In 1986, the C. L. David Foundation and Collection acquired Kronprinsessegade no. 32. This is the building next to no. 30, where the David Collection has had its official premises since 1945.At the beginning of the new millennium, a decision was made that the time had come to fully refurbish both buildings for museum purposes. There was no longer enough space in no. 30 and security and public facilities were outdated.
Before a comprehensive restructuring of the museum begun, there were naturally discussions about whether the buildings in the center of Copenhagen should be vacated and perhaps an entirely new museum be built in a completely different location.
These discussions resulted in a decision to remain in the premises and the milieu where the David Collection had been founded and to which its founder had personal ties.
A location in the center of the city was considered advantageous for such a specialized museum, and it was also believed that a museum with the atmosphere and intimacy that come from being housed in buildings two centuries old would in itself be an attraction – especially in the future.
The rest of the article you can read in the magazine.





