Articles
CONTENT | Issue 3
- 1. Word of Editor-in-chief
ISLAMIC ARTS MAGAZINE 03 - 2. View more
ABOUT THE ORIGIN OF SHAPE IN ISLAMIC ARHITECTURE - 3. City with rich Islamic tradition
POCITELJ - 4. Interview: Malik Anas al-Rajab
FROM CLASSICAL TO CONTEMPORARY CALLIGRAPHY - 5. Book review
THE AGE OF SINAN - 6. Book review
ART OF ISLAMIC CALLIGRAPHY - 7. Interview: Orhan Dagli
THE COLOURS OF TEZHIB - 8. C. L. David Foundation and Collection
SCANDINAVIA’S LARGEST COLLECTION OF ISLAMIC ART - 9. Interview: Haris Memija
HAJJ AS ETERNAL INSPIRATION - 10. City with a rich Islamic tradition
Cordoba and Granada - 11. Interview: eL-Seed
“CALLIGRAFFITI” ON THE FACE OF THE STREET - 12. Classic form of Islamic art
THE ART OF TUGRA - 13. Interview: Khawar Bilal
GRAPHIC DESIGN IN THE CONTEXT OF ISLAMIC ART - 14. Step-by-step tutorial
HOW TO MAKE A DIGITAL ARABESQUE
Classic form of Islamic art
THE ART OF TUGRA
Tugra is most original and most fascinating form of Ottoman’s calligraphic art. Apart from the fact that it is an official signature and seal of Sultan, tugra is the fine arts sign.
It is well developed calligraphic concept of writing names with strong artistic and symbolic meaning. As far as it is known, no other ruler’s house didn’t have such aesthetic way of „official signature”, and with time, it became the sublime expression of caligraphic skill, developing very complex composition solution. Apart that it was a signature, tugra represented a symbol of power and supreme authority.Tugra was still described as „bright tugra”, „sultan’s tugra”, „sublime sign” or „sublime honorable sign”. We find this signature on documents, berats and fermans. Berats were orders related to some approval, placing on function, allocating of property, and they regulated socio-political and economic relations. Further, fermans were diplomatic documents. Besides the paper, tugras can be found in the form of tarih on more important and other buildings. Thus, for instance, the whole cycle of brilliantly performed tugras in stone, we see in Topkapi palace in Istanbul.
The first tugra was written during the rule of sultan Orhan, the son of sultan osman, the founder of dynasty. At that time, tugra tugra still didn’t have its full formation, as we see in later periods. Its recognizible shape, tugra obtains in 16th century. However, it will be developed later and in the 19th century, tugra will get its definite aesthetic shape. In that period, tugra is not only used as sultan’s sign, but as a spread calligraphic composition of various textual meaning.
The rest of the article you can read in the magazine.





