Articles
CONTENT | Issue 7
- 1. Word of Editor-in-Chief
ISLAMIC ARTS MAGAZINE 07 - 2. Islamic Epigraphy (3/3)
INSCRIPTIONS FROM BiH - 3. An Interview with Reedah El-Saie, Director of Mica Gallery
MICA GALLERY: THE FIRST GALLERY TO SPECIALIZE IN MODERN & CONTEMPORARY ISLAMIC ART IN THE UK - 4. Recent exhibition at Mica Gallery
‘FROM FACEBOOK TO NASSBOOK’ - 5. An interview with British designer Ruh al-’Alam
‘VISUAL DHIKR’ THE REMEMBRANCE OF THE DIVINE - 6. Online Book Review
Arabic Graffiti - 7. Intern’s corner
THE RÜSTEM PAŞA MOSQUE IN ISTANBUL - 8. Elvis Hajdarević and Velid Hodžić, two Bosnian master calligraphers
CONTEMPORARY TRADITION: A NEW APPROACH TO MOSQUE DECORATION - 9. Online Book Review
CULTURAL CONNECTIVES - 10. An Interview with Nadia Janjua of Muslim Women in the Arts (MWIA)
MUSLIM WOMEN IN THE ARTS (MWIA) - 11. A country with a rich Islamic tradition
MOROCCO - THE KEEPER OF THE GIBRALTAR DOOR - 12. Interview with famous Bosnian artist Džeko Hodžić
“I AM NOT INVOLVED IN VISUAL ART, I’M LIVING IT” - 13. Online Book Review
A PHOTOGRAPHER ON THE HAJJ - 14. An interview with Mohammed Amin
LET YOUR CREATIVITY FLOW… GET STYLIN! - 15. An Interview with Turkish artist Mustafa Nazif Duran
MIXED MEDIA INSPIRATION: MEET DURAN, A CALLIGRAPHER, DESIGNER, PHOTOGRAPHER, AND POET - 16. The Museum of Sarajevo
THE GUARDIAN OF HISTORY - 17. Online Book Review
ISLAMIC ART & VISUAL CULTURE - 18. An interview with Issam Nabulsi and Khalid Bouden, directors of Desypher Architecture
BUILDING COMMUNITIES UNDER THE THEMES OF APPROACHABILITY, PARTICIPATION AND INCALCULATING RESPECT
Islamic Epigraphy (3/3)
INSCRIPTIONS FROM BiH
The first significant examples of Bosnian Islamic epigraphy fashioned by local artisans are, however, to be found on the domed mosques of the early 16th century (the Gazi Husrev Bey Mosque, Ferhad Paşa Mosque, Ali Paşa Mosque, etc.), the era also witnessing the emergence of the first great Bosnian calligraphers and poets.
All monumental domed mosques in Bosnia and Herzegovina display very well executed tarihs or inscriptions. These are carved mainly by local calligraphers and artists, as opposed to the mosques themselves that are mostly designed by Ottoman architects. It’s in the late 15th and early 16th centuries that the first local calligraphers and stonemasons of tarihs are recorded. The best examples of this early epigraphy are the tombstone epitaphs which date from this period when the Bosniaks had just started to accept Islam. The inscriptions show that, already from the beginning of Bosnian Islamic history, the Arabic language was adopted and preferred in the domain of religious epigraphy.The tradition of artistic stone carving in Bosnia and Herzegovina obviously predates the arrival of Islam. The transition from Bosnian Church styles and motifs to Islamic ones, revealing that masonry had been deeply rooted in the local economy of medieval towns, can actually be charted. The earliest Islamic tombstones extant date from the 15th century and bear not only earlier symbolic motifs, but also ‘unusual’ sounding names undoubtedly testifying that those buried had converted from Christianity to Islam. With the arrival of Islam in Bosnia, artistic traditions continued but underwent a process of transformation.
The rest of the article you can read in the magazine.





