Articles
CONTENT | Issue 7
- 1. Word of Editor-in-Chief
ISLAMIC ARTS MAGAZINE 07 - 2. Islamic Epigraphy (3/3)
INSCRIPTIONS FROM BiH - 3. An Interview with Reedah El-Saie, Director of Mica Gallery
MICA GALLERY: THE FIRST GALLERY TO SPECIALIZE IN MODERN & CONTEMPORARY ISLAMIC ART IN THE UK - 4. Recent exhibition at Mica Gallery
‘FROM FACEBOOK TO NASSBOOK’ - 5. An interview with British designer Ruh al-’Alam
‘VISUAL DHIKR’ THE REMEMBRANCE OF THE DIVINE - 6. Online Book Review
Arabic Graffiti - 7. Intern’s corner
THE RÜSTEM PAŞA MOSQUE IN ISTANBUL - 8. Elvis Hajdarević and Velid Hodžić, two Bosnian master calligraphers
CONTEMPORARY TRADITION: A NEW APPROACH TO MOSQUE DECORATION - 9. Online Book Review
CULTURAL CONNECTIVES - 10. An Interview with Nadia Janjua of Muslim Women in the Arts (MWIA)
MUSLIM WOMEN IN THE ARTS (MWIA) - 11. A country with a rich Islamic tradition
MOROCCO - THE KEEPER OF THE GIBRALTAR DOOR - 12. Interview with famous Bosnian artist Džeko Hodžić
“I AM NOT INVOLVED IN VISUAL ART, I’M LIVING IT” - 13. Online Book Review
A PHOTOGRAPHER ON THE HAJJ - 14. An interview with Mohammed Amin
LET YOUR CREATIVITY FLOW… GET STYLIN! - 15. An Interview with Turkish artist Mustafa Nazif Duran
MIXED MEDIA INSPIRATION: MEET DURAN, A CALLIGRAPHER, DESIGNER, PHOTOGRAPHER, AND POET - 16. The Museum of Sarajevo
THE GUARDIAN OF HISTORY - 17. Online Book Review
ISLAMIC ART & VISUAL CULTURE - 18. An interview with Issam Nabulsi and Khalid Bouden, directors of Desypher Architecture
BUILDING COMMUNITIES UNDER THE THEMES OF APPROACHABILITY, PARTICIPATION AND INCALCULATING RESPECT
Intern’s corner
THE RÜSTEM PAŞA MOSQUE IN ISTANBUL
Much like Istanbul, caught between the currents of East and West, the Rüstem Paşa Mosque also occupies a liminal space. It is a transitional ground between the private and the public. Floating above the chaotic streets that surround it, the structure allows the visitor to peer down on the quotidian life temporarily left behind while drawing closer to one less fleeting.
Istanbul has witnessed the rise and fall of empires. Once capital to both the Byzantine and Ottoman Empires, it continues today to be caught between East and West. Acting as a bridge between Asia and Europe, it became a crucial cosmopolitan center.The reign of Sultan Süleyman the Magnificent brought the Ottoman Empire into what was almost immediately recognized as its Classical Age. The Grand Vizier, Rüstem Paşa, a Bosnian by birth, was married to the sultan’s only daughter, Mihrimah Sultan. If at the time he was considered cunning by both foreign diplomats and the local population, he is today chiefly remembered for his architectural patronage. Both he and his wife commissioned several buildings, hiring the court’s Chief Architect, Sinan, to design them. Their best known monument is unquestionably the Rüstem Paşa Mosque. Because Rüstem Paşa died in 1561, the year the mosque was built, he did not live to see it completed. Some believe, however, because of the coinciding dates, that the monument constitutes in fact a commemorative building commissioned by his widow in his memory and was therefore probably finished later than 1561.
The rest of the article you can read in the magazine.





