ART DUBAI (21-24 March, 2018) Lawrie Shabibi at Art Dubai Contemporary, 2018
Mar 23, 2018 Art Event
The centre piece of the booth is a floor-based work 'Please Do Not Step – Loss of a Magnificent History' by Hamra Abbas – a fantastical marble inlay text that points to the great tradition of story-telling in the Islamic world. The shape of the text block recalls that of a magic carpet zooming into space and the text is florid and obscure with references to a flying carpet personified, it’s possible transformation into an airplane and the scattering of migrants around the world’s oceans.
Hamra Abbas, Please Do Not Step- Loss of a Magnificent Story, 2017, 274 x 274 cm / Courtesy Lawrie Shabibi and the artist, Photography by Kitmin Lee
Shahpour Pouyan presents ceramic pieces that also explore themes of time and travel. Having carried out a test for his own DNA make-up the artist discovered that he had ancestral roots to over thirty different countries. Inspired by this he produced miniature replicas of domes that exist in places from which his personal DNA is made up. This series recreates his story through the use of architecturally significant sites constructed as symbols of power and wealth.
Installation view of Lawrie Shabibi's booth at Art Dubai Contemporary 2018. Courtesy Lawrie Shabibi and the artists. Photography by Musthafa Aboobacker
Nadia Kaabi-Linke, Mounir Fatmi, Zak Ové and Farhad Ahrarnia each present wall-based works. Kaabi-Linke is known for her canvases of rubbings taken from the reliefs of old walls - eroded by time and marked by history. At Art Dubai she presents a work on canvas from her 'Kula' series.
Mounir Fatmi, Kissing Circles XL 05, 2010-11, Coaxial antenna cable on wood panel, staples, in plexiglass case, 153 x 207 x 5 cm, Courtesy Lawrie Shabibi and the artist
Installation view of Lawrie Shabibi's booth at Art Dubai Contemporary 2018. Courtesy Lawrie Shabibi and the artists. Photography by Musthafa Aboobacker
Other works on the booth include a wall sculpture by Mounir Fatmi and a ‘doily’ by Zak Ové. Produced from white coaxial cable and encased in glass boxes, Fatmi’s cables have been intricately manipulated into repeating circles, creating a sense of addition and subtraction – of time moving. They also tell the story of a fast moving industrial and technological world - these cables once popular in all households are now obsolete.
Installation view of Lawrie Shabibi's booth at Art Dubai Contemporary 2018. Courtesy Lawrie Shabibi and the artists. Photography by Musthafa Aboobacker
Zak Ové, DP38, 2017, Crochet doilies, 180 x 120 cm, Courtesy Lawrie Shabibi and the artist
In the case of Ové 'Star liner' his first solo exhibition in Dubai takes place simultaneously at the gallery space in Alserkal Avenue. At the booth we present his colourful ‘doily’ paintings - wonderfully patterned abstract compositions of lace doilies. These are playful reinterpretations of the colours and patterns of the Trinidadian carnival. Complex historical, social, cultural and political contexts gave birth to this national celebration, an event that dates back to the 1800’s.
Zak Ové, Resistor Transistors, 2017, Fibre glass, flocked, resin, 35 x 65 x 20 cm each, Courtesy Lawrie Shabibi and the artist, Photography by Musthafa Aboobacker
Continuing the theme of dance and pattern, Ahrarnia’s pictorial works are more subdued but convey images of dancers from the 1920s and 30s embroidered with patterns referencing the textile designs of Sonia Delauney. Ahrarnia explores the aesthetic outcome of Western and Eastern sensibilities, where high modernism converges and entangles with the ancient, mythical and the exotic.
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