Alserkal Avenue, Al Quoz, Dubai Alserkal Avenue to Celebrate Art, Design, and Architecture During November
Oct 27, 2019 EVENT, Art News
The month-long curated programme will include a landmark exhibition showcasing collaborations between artists and architects in Concrete, featuring a site-specific installation by Rana Begum and Marina Tabassum; a public art commission by urban collective METASITU; design commissions; talks by FOLIO; and a symposium on shared histories, organised by Alserkal Arts Foundation and Hyundai Tate Research Centre: Transnational, in collaboration with Ishara Art Foundation.
Dubai’s leading cultural district will celebrate the crossroads of art, design, and architecture during November in Alserkal Avenue, a month of curated public programming in keeping with a UAE-wide focus on design and architecture, including the inaugural Sharjah Architecture Triennial and Dubai Design Week.
Alserkal Avenue invites audiences to delve into the rich confluence of art, design, and architecture through groundbreaking original programming, including:
Majeed, Memories Fade, Photographs Shouldn't. 2016. Video animation / Courtesy of Ishara Art Foundation
Vilma Jurkute, Director of Alserkal, says “As Alserkal, we continue to actively participate in the UAE’s cultural dialogue both from the heart of our cultural district Alserkal Avenue, and as Alserkal Arts Foundation by curating an experimental programme at the crossroads of art, architecture, and design for both our local community and international audiences.â€
All activities are free and open to the public.
Alserkal Arts Foundation Project Space (1 November, 10 am – 6.30 pm)
Organised by Hyundai Tate Research Centre: Transnational and Alserkal Arts Foundation in collaboration with Ishara Art Foundation invited speakers, including scholars and practitioners from the MEASA and beyond, will discuss critical perspectives on shared histories, ongoing exchanges, and connections.
The symposium will look at the rapid growth of the city and its impact on artistic practice through the work of artists, architects, photographers, filmmakers and scholars whose research encompasses urban development and transnational exchanges from the 20th century to the present. Participants will share regional perspectives on cities and the representation of urban space, particularly in the visual arts, and how these contribute to and reflect upon the complex and on-going making of place and identity.
CAMP, From Gulf to Gulf to Gulf, 2009-2013, video / Courtesy of Hyundai Tate Research Centre
Warehouse 90 (6 November – 25 January 2020)
In this public art commission presented by Alserkal Arts Foundation, METASITU, an artist collective (and former residents of Alserkal Residency) is inviting the sand back in. METASITU will transform the building previously known as Nadi Al Quoz into a ruin. In an attempt to return the building’s materials to their ‘original state’, different parts will be repurposed and reused. In the spring of 2020, space will be further deconstructed into a landscaped environment for the public.
METASITU / Courtesy of Alserkal Arts Foundation
Concrete (6-23 November, 10am – 7pm)
Alserkal Arts Foundation brings the landmark exhibition Is This Tomorrow? to Concrete from 6-23 November in collaboration with Whitechapel Gallery, London. The exhibition, curated by Whitechapel Gallery chief curator Lydia Yee, responds to timely contemporary issues and offers speculative visions of the future through five pairings between leading artists and architects, including a new site-specific commission by visual artist Rana Begum and architect Marina Tabassum, winner of the 2016 Aga Khan Award for Architecture, which will be unveiled in The Yard.
The interdisciplinary installations, environments, and pavilions by Amalia Pica and 6a, Cao Fei and mono office, Mariana Castillo Deball and Tatiana Bilbao Estudio, Rana Begum and Marina Tabassum Architects reveal the expansive potential of collaboration between art and architecture, in line with the wider November programme in Alserkal Avenue.
Rana Begum and Marina Tabassum will collaborate on a new iteration of Phoenix Will Rise, originally presented at Whitechapel. The installation is ‘focused on hope’ and will be created specifically for The Yard in Alserkal Avenue. Tabassum says: “It is a place of refuge - a space for reflection - contemplation. The highlight of the installation is Rana Begum’s beautiful art piece around the central oculus that catches the light and frames the sky. The architecture builds around it to create a setting and atmosphere of repose, all the while appropriating the context of Alserkal Avenue.â€
Begum, who is represented by The Third Line in Alserkal Avenue, says: “We live in a world where the boundaries between disciplines are increasingly blurred, and where technology enables us to connect wherever we are. This collaboration is exciting because it playfully pushes boundaries, while simultaneously inviting the viewer to consider space in relation to location and existing elements. I have found it interesting to engage with Marina Tabassum’s vision and experience of space, form, colour, and light.â€
Rana Begum, Test samples for Phoenix Will Rise 2018 Spray paint on paper / Courtesy of Rana Begum
6, 18, 20, 21 November
Alserkal Avenue Pedestrian Entrance, Street 6A (11 November 2019 – 1 November 2020)
Jeddah-based architects Turki and Abdulrahman Gazzaz of Bricklab studio have been commissioned by Alserkal Avenue, to create an intervention to coincide with Dubai Design Week. Located at the Pedestrian Entrance of Alserkal Avenue (from Street 6A), the design will transform how the public interacts with the physical environment through a “synthetic intervention that funnels visitors throughâ€.
Bricklab tackles the entrance as though it were “the threshold to a French formal garden - a spatial construct that emphasises a position of apprehension and meticulous control found in the composition of an 18th-century alléeâ€. A glossy metallic grid, lined with plastic trees, constructs a forced one-point perspective for the public. By manipulating this perspective, the designers challenge the collapsibility of experience into a single, two-dimensional image, and highlight our multisensory comprehension of space.
Absolem by Bricklab / Courtesy of Bricklab
The contemporary art galleries will open their latest exhibitions, and the creative concepts in Alserkal Avenue stay open late on 18 November (6 pm – 10 pm)
New exhibitions include:
Faisal Samra, P.62-D23-B, Charcoal and oil on Canvas, 294 x 116 cm / Courtesy of Ayyam Gallery
Amba Sayal-Bennett Cue, 2019, Powder coated mild steel, wood, pant, tape, chemiwood, celotex, blu tack, and foam 124 x 83 x 30 cm / Courtesy of Carbon 12
Atef Maatallah, L Antika, Fragmen ta I, 2018, Drawing, 143.1 x 100 cm / Courtesy of Elmarsa Gallery
Chaouki Choukini, Poetry in Wood, 2016, Installation view / Courtesy of Green Art Gallery, Dubai
Iqra Tanveer, Infinite community of light, 2019, Litho stone, laser jet photo transfer, floor lamp, 130 x 30 x 40 cm / Courtesy of Grey Noise
Hamra Abbas, Misprints 2 / Courtesy of Lawrie Shabibi and the artist
For Rug, Anni Albers, Untitled, 1926, On loan from Christopher Farr, London, Designed in association with the Josef and Anni Albers Foundation / Courtesy of Leila Heller Gallery
Sputnik 57 - SVENM / Courtesy of SVENM
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